I read this book to explore the concept of land art and community art - art that rebels against any form of upperclass control and as an example of art that is not controlled by the rich and powerfull
'Initially conceived by Jacob in 1991, “Culture in Action” (originally titled
“New Urban Monuments”)5 was intended to be a critique of two institutions: the organization
of Sculpture Chicago specifically, and more broadly the field of public
art.'
' art in the public interest forges direct
intersections with social issues. It encourages community coalition-building in pursuit
of social justice and attempts to garner greater institutional empowerment for
artists to act as social agents. Artists engaged in such art “aspire to reveal the
plight and plead the case of the disenfranchised and disadvantaged, and to embody
what they [the artists] view as humanitarian values'
'9 Rather than
an object for individual contemplation, produced by a distant art specialist for an
exclusive art-educated audience equipped to understand its complex visual language,
new genre public artists seek to engage (nonart) issues in the hearts and
minds of the “average man on the street” or “real people” outside the art world. In
doing so, they seek to empower the audience by directly involving them in the making
of the art work, either as subjects or, better, as producers themselves.'
' By extending
the hitherto specialized privilege of art-making and art appreciation to a
larger number and broader range of people (not restricted to the privileged minority
of the dominant class, gender, race, and sexual orientation), new genre public
artists hope to make art more familiar and accessible (because it is now not only
for the “public” but by the “public”)'
'Such temporal, issue-specific artworks are a form of artmaking that grows out of the
desire of artists to reach audiences in ways that are more direct and unexpected
than is possible in a museum or gallery setting.”'
'the term “community” is associated with disenfranchised social
groups that have been systematically excluded from the political and cultural
processes that affect, if not determine, their lives. It defines coalitions of people
seeking to counter such processes of exclusion and repression by collectively
demanding equal rights, greater social recognition, economic support, and political
power'
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