Thursday, 17 November 2016

study task 2 - book: One place after another site specific art

I read this book to explore the concept of land art and community art - art that rebels against any form of upperclass control and as an example of art that is not controlled by the rich and powerfull

'Initially conceived by Jacob in 1991, “Culture in Action” (originally titled “New Urban Monuments”)5 was intended to be a critique of two institutions: the organization of Sculpture Chicago specifically, and more broadly the field of public art.'

' art in the public interest forges direct intersections with social issues. It encourages community coalition-building in pursuit of social justice and attempts to garner greater institutional empowerment for artists to act as social agents. Artists engaged in such art “aspire to reveal the plight and plead the case of the disenfranchised and disadvantaged, and to embody what they [the artists] view as humanitarian values'

'9 Rather than an object for individual contemplation, produced by a distant art specialist for an exclusive art-educated audience equipped to understand its complex visual language, new genre public artists seek to engage (nonart) issues in the hearts and minds of the “average man on the street” or “real people” outside the art world. In doing so, they seek to empower the audience by directly involving them in the making of the art work, either as subjects or, better, as producers themselves.'

' By extending the hitherto specialized privilege of art-making and art appreciation to a larger number and broader range of people (not restricted to the privileged minority of the dominant class, gender, race, and sexual orientation), new genre public artists hope to make art more familiar and accessible (because it is now not only for the “public” but by the “public”)'

'Such temporal, issue-specific artworks are a form of artmaking that grows out of the desire of artists to reach audiences in ways that are more direct and unexpected than is possible in a museum or gallery setting.”'

'the term “community” is associated with disenfranchised social groups that have been systematically excluded from the political and cultural processes that affect, if not determine, their lives. It defines coalitions of people seeking to counter such processes of exclusion and repression by collectively demanding equal rights, greater social recognition, economic support, and political power'

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